Production Makeup FAQ

Yes. I work throughout the Portland metro area, Oregon, and the Pacific Northwest. I’ve also worked in Washington, California, Montana, Illinois, and Alaska. Travel outside my local area may include a travel fee.

Two to four weeks ahead is ideal, especially for a shoot spanning several days. I also take last minute jobs when I’m available, so reach out even if your shoot is coming up quickly.

My day rate covers a standard 10 hour day, my professional kit, and touch ups on set. Overtime, specialty products, additional kit fees, and travel are discussed up front so there are no surprises.

Yes. I’m comfortable working as Key or as part of a larger makeup department. I communicate, stay organized, and do what I can to keep the day moving.

Some of my credits include Grimm, Portlandia, Yellowstone, Palm Royale, and Leverage. You can see more of my work and credits on my About page.

Yes. I’m a member in good standing of IATSE Local 488. Because Oregon is a smaller market, I also work on nonunion productions.

Yes. I’m an Oregon licensed esthetician and professional makeup artist. I’m also CPR certified and hold an Oregon Natural Hair Care Certificate.

Yes. HD and 4K cameras pick up everything. I use products and techniques that look natural and seamless up close and under production lighting.

Yes. I photograph and document every look so I can match it from scene to scene and day to day, even when scenes are shot out of order.

Yes. I stay close to set and watch for shine, sweat, makeup wear, and continuity between takes. My job is to make sure talent stays camera ready all day.

Yes. My kit is stocked for a wide range of skin tones. My esthetics background also helps me understand how to prep and work with different skin types and concerns.

Yes. I groom talent of all genders and ethnicities, from quick shine control and basic grooming to a fully polished look.

Yes. I can do light effects, including bruises, wounds, blood, light painting, and basic appliance application. My main focus is beauty and character makeup. If a job needs advanced prosthetics or heavy special effects, I can refer you to someone who specializes in that work.

Yes. I do stage makeup for individual performers and full casts.

Stage makeup has to read from the back row, so it’s usually bolder and more defined. Film makeup may be seen inches from the lens, so it needs to be more subtle and precise. I adjust the makeup for the lighting, the camera, and what the production needs.

Yes. I’ve worked with directors and costume designers to create looks that make sense for each character and still feel like they belong in the same world. I can also provide face charts so performers can recreate their looks. Right now, I prefer to work as Key or third rather than Department Head.

Yes. I offer private sessions and teach actors how to apply, maintain, and recreate their own makeup for stage or camera.

Sanitation is nonnegotiable for me. I use disposable applicators, never double dip, and clean and disinfect my tools, products, and work area between performers. I use professional brush cleaner, 70% and 99% isopropyl alcohol, and C3 BactroKill where appropriate.

Yes. I ask about allergies and sensitivities before I start. I carry gentle, fragrance free options and use sponges without latex. If you know about an allergy or sensitivity ahead of time, please tell me so I can plan for it.